{"id":597,"date":"2014-11-09T19:33:49","date_gmt":"2014-11-10T00:33:49","guid":{"rendered":"http:\/\/szsolomon.com\/szswp\/?p=597"},"modified":"2016-04-19T01:03:33","modified_gmt":"2016-04-19T05:03:33","slug":"judd-greenstein-shall-turned-2006","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/judd-greenstein-shall-turned-2006\/","title":{"rendered":"Judd Greenstein &#8211; We Shall Be Turned (2006)"},"content":{"rendered":"<b>Judd Greenstein &#8211;\u00a0<i>We Shall Be Turned<\/i>\u00a0<\/b>(2006)<br \/>Written for <a href=\"http:\/\/szsolomon.com\/project\/solomon-setup\/\" target=\"_blank\">Setup #1<br \/><\/a><br \/><iframe loading=\"lazy\" width=\"500\" height=\"281\" align=\"left\" src=\"\/\/player.vimeo.com\/video\/102592212\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/><br \/> A video about We Shall Be Turned:<br \/>\r\n\r\n\r\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MwefNH5eJwY\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n<br \/><br \/>&#8220;Turn us to you, O Lord, and we shall be turned; renew our days as of old.&#8221; This, the beautiful, penultimate line of the Lamentations of Jeremiah, refers to the Jewish concept of teshuvah, turning towards God. Teshuvah is a complicated concept; it is the act of atonement and self-renewal, conceived (as with many Jewish customs) as a life&#8217;s work, a process rather than a singular action. In writing a piece for my good friend Sam Solomon, I had the opportunity to play on his instruments, and found myself drawn into a processional music that reached something inside me that I had not expressed before in music.\u00a0<i>We Shall Be Turned<\/i>\u00a0does not hide its elements; they are always there, and always turning. Many thanks to Sam for his great efforts on behalf of this work.<br \/>-Judd Greenstein<br \/><br \/>More at\u00a0<a href=\"http:\/\/juddgreenstein.com\" target=\"new\">JuddGreenstein.com<\/a>.<br \/><br \/><br \/><br \/><br \/>This\u00a0recording\u00a0is supported by New Music USA\u2019s CAP Recording Program, made possible by endowment funds from the Mary Flagler Cary Charitable Trust and with funds from The Alice M. Ditson Fund of Columbia University.","protected":false},"excerpt":{"rendered":"<p>Judd Greenstein &#8211;\u00a0We Shall Be Turned\u00a0(2006)Written for Setup #1 A video about We Shall Be Turned: &#8220;Turn us to you, O Lord, and we shall be turned; renew our days as of old.&#8221; This, the beautiful, penultimate line of the Lamentations of Jeremiah, refers to the Jewish concept of teshuvah, turning towards God. Teshuvah is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11,17],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-9D","jetpack-related-posts":[{"id":570,"url":"http:\/\/szsolomon.com\/write-percussion\/","url_meta":{"origin":597,"position":0},"title":"How To Write For Percussion","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"How To Write For Percussion Published by the author, 2004 Second edition, Oxford University Press, 2016 PURCHASE\u00a0from\u00a0OUP\u00a0or\u00a0Amazon. How To Write For Percussion\u00a0is lauded\u2026","rel":"","context":"In &quot;Book&quot;","block_context":{"text":"Book","link":"http:\/\/szsolomon.com\/category\/book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2016\/03\/cover2ndEd-210x300.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":562,"url":"http:\/\/szsolomon.com\/yesaroun-duo-yesaroun-duo\/","url_meta":{"origin":597,"position":1},"title":"Yesaroun&#8217; Duo &#8211; Yesaroun&#8217; Duo","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Yesaroun' Duo - Yesaroun' Duo\u00a0Yesaroun's first recordings.\u00a0Shawn Crouch - Suspended Contact\u00a0Charles Ives - Seven Songs\u00a0Ken Ueno - WATTLearn more about Shawn at\u00a0shawncrouchmusic.com\u00a0Learn more about Ken at\u00a0kenueno.com\u00a0Learn more about Yesaroun' at\u00a0yesaroun.com Shawn Crouch\u00a0-\u00a0Suspended Contact\u00a0(1999)for alto saxophone and percussion - written for Yesaroun'Suspended Contact was written in 1999 for the Yesaroun' Duo\u2026","rel":"","context":"In &quot;Recording - Yesaroun' Duo&quot;","block_context":{"text":"Recording - Yesaroun' Duo","link":"http:\/\/szsolomon.com\/category\/yesaroun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/yesarounduo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":756,"url":"http:\/\/szsolomon.com\/betsy-biggs-happy-idiot-2006\/","url_meta":{"origin":597,"position":2},"title":"Betsy Biggs &#8211; Happy Idiot (2006)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"Betsy Biggs -\u00a0Happy Idiot\u00a0(2006)Happy Idiot was written for Sam Solomon in 2006. I wanted to create a musical space, a set of possibilities for Sam to play with at his own temporal pleasure, while lurching between happy idiocy and mystery, as our own lives often do. The piece is composed\u2026","rel":"","context":"In &quot;Note&quot;","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":769,"url":"http:\/\/szsolomon.com\/john-cage-composed-improvisation-snare-drum-1987\/","url_meta":{"origin":597,"position":3},"title":"John Cage, composed Improvisation for snare drum (1987)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"John Cage,\u00a0composed Improvisation for snare drum\u00a0(1987)This work is one of Cage's many \"composed improvisations,\" compositions that are simply written instructions for how to create a piece of music using chance procedures. Cage turned to chance procedures in his music making in the early 1950's as a way of further deepening\u2026","rel":"","context":"In &quot;Note&quot;","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":614,"url":"http:\/\/szsolomon.com\/yesaroun-duo-single-releases\/","url_meta":{"origin":597,"position":4},"title":"Yesaroun Duo &#8211; Single Releases","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Yesaroun Duo - Single ReleasesFour world premiere recordings of pieces written for Yesaroun'.(click to skip down to recording)\u00a0Cody Wright - DayDream\u00a0Dennis Desantis - +8\u00a0Miriama Young - Snapdragon\u00a0Nico Muhly - Time After TimeLearn more about Cody at\u00a0codycomposer.comLearn more about Dennis at\u00a0dennisdesantis.comLearn more about Miri at\u00a0miriamayoung.comLearn more about Nico at\u00a0nicomuhly.comLearn more about\u2026","rel":"","context":"In &quot;Recording - Yesaroun' Duo&quot;","block_context":{"text":"Recording - Yesaroun' Duo","link":"http:\/\/szsolomon.com\/category\/yesaroun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/yessingles-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":590,"url":"http:\/\/szsolomon.com\/marcos-balter-descarga-2006\/","url_meta":{"origin":597,"position":5},"title":"Marcos Balter &#8211; Descarga (2006)","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Marcos Balter -\u00a0Descarga\u00a0(2006)A video about Descarga: My fascination with percussion is directly related to my Brazilian heritage. I remember being mesmerized as a young child watching the enormous percussion ensembles (sometimes over one hundred percussionists) that perform during the official carnival parade in my hometown, Rio de Janeiro. I will\u2026","rel":"","context":"In &quot;Recording - Solo&quot;","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/597"}],"collection":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/comments?post=597"}],"version-history":[{"count":4,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/597\/revisions"}],"predecessor-version":[{"id":2028,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/597\/revisions\/2028"}],"wp:attachment":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/media?parent=597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/categories?post=597"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/tags?post=597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}