{"id":592,"date":"2014-11-09T19:32:49","date_gmt":"2014-11-10T00:32:49","guid":{"rendered":"http:\/\/szsolomon.com\/szswp\/?p=592"},"modified":"2017-04-23T08:13:40","modified_gmt":"2017-04-23T12:13:40","slug":"michael-early-raingutter-2007","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/michael-early-raingutter-2007\/","title":{"rendered":"Michael Early &#8211; raingutter (2007)"},"content":{"rendered":"<b>Michael Early &#8211;\u00a0<i>raingutter<\/i>\u00a0<\/b>(2007)<br \/><br \/><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"\/\/player.vimeo.com\/video\/102595879\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"><\/iframe> <br \/><br \/>A video about <em><strong>raingutter<\/strong><\/em>:<br \/>\r\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1EaQ1GeEllw\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n<br \/><br \/>The initial image for this piece came from being stuck indoors while the rain was coming down in buckets outside, pounding along the aluminum gutters. It dissolves into a series of daydreams &#8211; always a good thing to have on a rainy day.\u00a0<i>raingutter<\/i>\u00a0was written for Sam Solomon.<br \/>-Michael Early<br \/><br \/><br \/><br \/>This recording\u00a0is supported by New Music USA\u2019s CAP Recording Program, made possible by endowment funds from the Mary Flagler Cary Charitable Trust and with funds from The Alice M. Ditson Fund of Columbia University.","protected":false},"excerpt":{"rendered":"<p>Michael Early &#8211;\u00a0raingutter\u00a0(2007) A video about raingutter: The initial image for this piece came from being stuck indoors while the rain was coming down in buckets outside, pounding along the aluminum gutters. It dissolves into a series of daydreams &#8211; always a good thing to have on a rainy day.\u00a0raingutter\u00a0was written for Sam Solomon.-Michael EarlyThis [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11,17],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-9y","jetpack-related-posts":[{"id":570,"url":"http:\/\/szsolomon.com\/write-percussion\/","url_meta":{"origin":592,"position":0},"title":"How To Write For Percussion","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"How To Write For Percussion Published by the author, 2004 Second edition, Oxford University Press, 2016 PURCHASE\u00a0from\u00a0OUP\u00a0or\u00a0Amazon. 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Some of the first music I wrote, I wrote for Sam, so when he asked me to write a solo for him in 2004, I started thinking about the\u2026","rel":"","context":"In &quot;Recording - Solo&quot;","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":597,"url":"http:\/\/szsolomon.com\/judd-greenstein-shall-turned-2006\/","url_meta":{"origin":592,"position":2},"title":"Judd Greenstein &#8211; We Shall Be Turned (2006)","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Judd Greenstein -\u00a0We Shall Be Turned\u00a0(2006)Written for Setup #1 A video about We Shall Be Turned: \"Turn us to you, O Lord, and we shall be turned; renew our days as of old.\" This, the beautiful, penultimate line of the Lamentations of Jeremiah, refers to the Jewish concept of teshuvah,\u2026","rel":"","context":"In &quot;Recording - Solo&quot;","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":619,"url":"http:\/\/szsolomon.com\/ryan-streber-cold-pastoral\/","url_meta":{"origin":592,"position":3},"title":"Ryan Streber &#8211; Cold Pastoral","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Ryan Streber - Cold Pastoral (2004)\u00a0Commissioned and premiered by Line C3\u00a0on May 8, 2004 at Sun Azalea Hall in Tokyo, Japan.Cold Pastoral\u00a0was composed in the winter and spring of 2004 for Line C3 and is scored for crotales, vibraphone, and a small battery of un-pitched instruments. The quartet is split\u2026","rel":"","context":"In &quot;Recording - Line C3&quot;","block_context":{"text":"Recording - Line C3","link":"http:\/\/szsolomon.com\/category\/line-c3\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":623,"url":"http:\/\/szsolomon.com\/vinko-globokar-kvadrat\/","url_meta":{"origin":592,"position":4},"title":"Vinko Globokar &#8211; Kvadrat","author":"Samuel Z Solomon","date":"November 9, 2014","format":"video","excerpt":"KvadratPercussion Quartet with Inspirational Objectsby Vinko GlobokarMichael Caterisano, Haruka Fujii, Sam Solomon, Chris ThompsonPregones Theater, BronxMarch 7, 2012 \u00a0LineC3.com","rel":"","context":"In &quot;Recording - Line C3&quot;","block_context":{"text":"Recording - Line C3","link":"http:\/\/szsolomon.com\/category\/line-c3\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":590,"url":"http:\/\/szsolomon.com\/marcos-balter-descarga-2006\/","url_meta":{"origin":592,"position":5},"title":"Marcos Balter &#8211; Descarga (2006)","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Marcos Balter -\u00a0Descarga\u00a0(2006)A video about Descarga: My fascination with percussion is directly related to my Brazilian heritage. I remember being mesmerized as a young child watching the enormous percussion ensembles (sometimes over one hundred percussionists) that perform during the official carnival parade in my hometown, Rio de Janeiro. 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