{"id":2552,"date":"2023-01-07T22:35:22","date_gmt":"2023-01-08T03:35:22","guid":{"rendered":"http:\/\/szsolomon.com\/?p=2552"},"modified":"2023-01-07T22:35:39","modified_gmt":"2023-01-08T03:35:39","slug":"toru-takemitsu-cross-hatch-1982","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/toru-takemitsu-cross-hatch-1982\/","title":{"rendered":"Toru Takemitsu &#8211; Cross Hatch (1982)"},"content":{"rendered":"<strong>Toru Takemitsu &#8211; Cross Hatch<\/strong> (1982)<br \/><br \/>\r\n\r\n\r\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4guk52Dr7SU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/><br \/>Performed by Haruka Fujii and Sam Solomon in March of 2020.<br \/><br \/><p><i>Cross Hatch<\/i> was commissioned by and dedicated to Hiroyuki Iwaki.<span class=\"Apple-converted-space\">\u00a0 <\/span>The duet for marimba and vibraphone is the essence of Takemitsu, packing all the beauty and expression of his larger works into the span of a minute and a half.<\/p>","protected":false},"excerpt":{"rendered":"<p>Toru Takemitsu &#8211; Cross Hatch (1982) Performed by Haruka Fujii and Sam Solomon in March of 2020.Cross Hatch was commissioned by and dedicated to Hiroyuki Iwaki.\u00a0 The duet for marimba and vibraphone is the essence of Takemitsu, packing all the beauty and expression of his larger works into the span of a minute and a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[12,17],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-Fa","jetpack-related-posts":[{"id":635,"url":"http:\/\/szsolomon.com\/toru-takemitsu-rain-tree\/","url_meta":{"origin":2552,"position":0},"title":"Toru Takemitsu &#8211; Rain Tree","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Rain Treeby Toru TakemitsuJohn Ostrowski, Sam Solomon, Chris ThompsonCarnegie Hall's JapanNY Festival 2011LineC3.com","rel":"","context":"In &quot;Recording - Line C3&quot;","block_context":{"text":"Recording - Line C3","link":"http:\/\/szsolomon.com\/category\/line-c3\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":760,"url":"http:\/\/szsolomon.com\/andrew-mckenna-lee-unraveling-2007\/","url_meta":{"origin":2552,"position":1},"title":"Andrew McKenna Lee &#8211; Unraveling (2007)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"Andrew McKenna Lee -\u00a0Unraveling\u00a0(2007)Unraveling is for electric guitar, three looping machines, and percussion. Throughout the work, sections of the electric guitar part are recorded and played back as a sort of third accompaniment part to the guitar and percussion.\u00a0Sometimes loops are recorded silently and brought back only later, and other\u2026","rel":"","context":"In &quot;Note&quot;","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":771,"url":"http:\/\/szsolomon.com\/john-cage-child-tree-1975\/","url_meta":{"origin":2552,"position":2},"title":"John Cage, Child of Tree (1975)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"John Cage,\u00a0Child of Tree\u00a0(1975)Child of Tree is a composed improvisation for plant materials. Cage specifies amplified cactus and pea pod shakers as two of ten \"instruments\" that are to be chosen by the performer. The aleatory is realized on three levels. First by the interpretation of the \"score\": the instructions\u2026","rel":"","context":"In &quot;Note&quot;","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":773,"url":"http:\/\/szsolomon.com\/jacob-druckman-reflections-nature-water-1986\/","url_meta":{"origin":2552,"position":3},"title":"Jacob Druckman, Reflections on the Nature of Water (1986)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"Jacob Druckman,\u00a0Reflections on the Nature of Water\u00a0(1986)Reflections on the Nature of Water\u00a0is an exploration of water in the abstract. Its six distinctly different movements (I. Crystalline, II. Fleet, III. Tranquil, IV. Gently Swelling, V. Profound and VI. Relentless) consider the physical (the sound, touch, taste, and look of water, ice,\u2026","rel":"","context":"In &quot;Note&quot;","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":570,"url":"http:\/\/szsolomon.com\/write-percussion\/","url_meta":{"origin":2552,"position":4},"title":"How To Write For Percussion","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"How To Write For Percussion Published by the author, 2004 Second edition, Oxford University Press, 2016 PURCHASE\u00a0from\u00a0OUP\u00a0or\u00a0Amazon. How To Write For Percussion\u00a0is lauded\u2026","rel":"","context":"In &quot;Book&quot;","block_context":{"text":"Book","link":"http:\/\/szsolomon.com\/category\/book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2016\/03\/cover2ndEd-210x300.gif?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/2552"}],"collection":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/comments?post=2552"}],"version-history":[{"count":1,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/2552\/revisions"}],"predecessor-version":[{"id":2553,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/2552\/revisions\/2553"}],"wp:attachment":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/media?parent=2552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/categories?post=2552"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/tags?post=2552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}