{"id":1398,"date":"2015-11-20T22:15:11","date_gmt":"2015-11-21T03:15:11","guid":{"rendered":"http:\/\/szsolomon.com\/?p=1398"},"modified":"2015-11-20T22:17:05","modified_gmt":"2015-11-21T03:17:05","slug":"hans-tutschku-winternacht","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/hans-tutschku-winternacht\/","title":{"rendered":"Hans Tutschku &#8211; Winternacht"},"content":{"rendered":"<span class=\"medb\"><strong><a href=\"http:\/\/www.tutschku.com\/content\/works-Winternacht.en.php\" target=\"_blank\">Hans Tutschku<\/a>\u00a0&#8211;\u00a0<i>Winternacht<\/i><\/strong>\u00a0(2006)<\/span><br \/>For piano, percussion,\u00a0and live electronics<br \/>Live performance, Harvard University, Paine Hall, December 11,\u00a02009<br \/>with\u00a0<a href=\"http:\/\/www.sedaroeder.com\" target=\"_blank\">Seda R\u00f6der<\/a>, piano<br \/><br \/><iframe loading=\"lazy\" width=\"500\" height=\"375\" src=\"https:\/\/player.vimeo.com\/video\/146465272\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"><\/iframe><p><em>Winternacht<\/em>\u00a0makes reference to several poems by Georg Trakl.His poetry has been a source of inspiration for many chamber music and electroacoustic compositions in the past years. For this composition, I choose texts which refer to his childhood. But, those poems and letters don&#8217;t come to the surface of my piece. We hear dialogs of the two musicians, which are taken and transformed by the electronics.<\/p><p>The electroacoustic sounds are a mixture of live treatments of piano and percussion sequences and prepared soundfiles. The electroacoustic part is the prolongation of gestures of the instrumentalists. Their live playing energy is traced by the computer to decide many parameters of the electroacoustic part.<br \/>\u2014<a href=\"http:\/\/www.tutschku.com\/content\/works-Winternacht.en.php\" target=\"_blank\">Hans Tutschku<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Hans Tutschku\u00a0&#8211;\u00a0Winternacht\u00a0(2006)For piano, percussion,\u00a0and live electronicsLive performance, Harvard University, Paine Hall, December 11,\u00a02009with\u00a0Seda R\u00f6der, pianoWinternacht\u00a0makes reference to several poems by Georg Trakl.His poetry has been a source of inspiration for many chamber music and electroacoustic compositions in the past years. For this composition, I choose texts which refer to his childhood. But, those poems and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[14,17],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-my","jetpack-related-posts":[{"id":1483,"url":"http:\/\/szsolomon.com\/louis-andriessen-hout\/","url_meta":{"origin":1398,"position":0},"title":"Andriessen &#8211; Hout","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Louis AndriessenHout (Wood) (1991)1 percussionist4 players totaltenor saxophone, marimba, guitar and pianoapprox.. 10\u2019Hout (Wood) was written for Loos at the request of Dirk Simons. Although the whole work is in principle a strict canon, the successive voices are so close together that it is more like a unison melody with\u2026","rel":"","context":"In &quot;Chamber Music&quot;","block_context":{"text":"Chamber Music","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1485,"url":"http:\/\/szsolomon.com\/louis-andriessen-klokken-voor-haarlem\/","url_meta":{"origin":1398,"position":1},"title":"Andriessen &#8211; Klokken voor Haarlem","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Klokken voor Haarlem (4 Players)By Louis Andriessen4 Players: Piano, Celesta, Synth, Vibes\/BellsKlokken voor Haarlem is a quartet that uses wide, unison chords to emulate the sound of bells.\u00a0\u00a0 Scored for Piano, Synthesizer, Celesta, and Vibraphone\/Bells player, this piece challenges the small ensemble to make perfect entrances amidst long pauses across\u2026","rel":"","context":"In &quot;Chamber Music&quot;","block_context":{"text":"Chamber Music","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1481,"url":"http:\/\/szsolomon.com\/louis-andriessen-hoketus\/","url_meta":{"origin":1398,"position":2},"title":"Andriessen &#8211; Hoketus","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Louis AndriessenHoketus (1976)2 percussionists12 players totalTwo pianos, two Fender Rhodes electric pianos, two sets of panpipes, two saxophones, two electric bass guitars, and two percussionists (both playing congas)Approx.. 25\u2019Hoketus is the result of the minimal art project I started in January 1977 at the Royal Conservatory in The Hague. This\u2026","rel":"","context":"In &quot;Chamber Music&quot;","block_context":{"text":"Chamber Music","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":781,"url":"http:\/\/szsolomon.com\/iannis-xenakis-psappha-1975\/","url_meta":{"origin":1398,"position":3},"title":"Iannis Xenakis, Psappha (1975)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"Iannis Xenakis,\u00a0Psappha\u00a0(1975)\"Psappha\" is an archaic form of \"Sappho,\" a great Greek poetess from the Island of Lesbos, born in the 600's BC. Her style was sensual and melodic, and she was one of the first poets to write from the first person, describing love and loss as it affected her\u2026","rel":"","context":"In &quot;Note&quot;","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":525,"url":"http:\/\/szsolomon.com\/arthur-kreiger-meeting-places\/","url_meta":{"origin":1398,"position":4},"title":"Arthur Kreiger &#8211; Meeting Places","author":"Samuel Z Solomon","date":"November 8, 2014","format":false,"excerpt":"Arthur Kreiger - Meeting PlacesReleased by\u00a0Albany Records,\u00a02003New York New Music Ensemble's recording of the works of Arthur Kreiger. Featuring\u00a0Caprice\u00a0for percussion quartet and sound files, performed by Sam Solomon, Dan Bauch, Jeff Irving, and Nick Stoup.Purchase on\u00a0Purchase from Amazon\u00a0herePurchase from Albany Records\u00a0here","rel":"","context":"In &quot;Recording - Other Chamber&quot;","block_context":{"text":"Recording - Other Chamber","link":"http:\/\/szsolomon.com\/category\/other\/"},"img":{"alt_text":"kreiger","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/kreiger.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":570,"url":"http:\/\/szsolomon.com\/write-percussion\/","url_meta":{"origin":1398,"position":5},"title":"How To Write For Percussion","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"How To Write For Percussion Published by the author, 2004 Second edition, Oxford University Press, 2016 PURCHASE\u00a0from\u00a0OUP\u00a0or\u00a0Amazon. How To Write For Percussion\u00a0is lauded\u2026","rel":"","context":"In &quot;Book&quot;","block_context":{"text":"Book","link":"http:\/\/szsolomon.com\/category\/book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2016\/03\/cover2ndEd-210x300.gif?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1398"}],"collection":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/comments?post=1398"}],"version-history":[{"count":1,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1398\/revisions"}],"predecessor-version":[{"id":1399,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1398\/revisions\/1399"}],"wp:attachment":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/media?parent=1398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/categories?post=1398"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/tags?post=1398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}