{"id":1064,"date":"2014-12-10T11:15:48","date_gmt":"2014-12-10T16:15:48","guid":{"rendered":"http:\/\/szsolomon.com\/?p=1064"},"modified":"2014-12-10T11:16:38","modified_gmt":"2014-12-10T16:16:38","slug":"samuel-solomon-gliss-ditty-2010","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/samuel-solomon-gliss-ditty-2010\/","title":{"rendered":"Samuel Solomon &#8211; Gliss Ditty (2010)"},"content":{"rendered":"<strong>Samuel Solomon &#8211; Gliss Ditty (2010)<\/strong><br \/><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"\/\/www.youtube.com\/embed\/TpC8u7DRRkM\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>Gliss Ditty is a xylophone etude\u00a0that was composed for The MassChap 2010 Xylophone Collection.\u00a0<br \/><br \/>Complete info on the 50 etudes found in this collection can be found <a href=\"http:\/\/szsolomon.com\/masschap-2010-xylophone-collection\/\" title=\"The MassChap 2010 Xylophone Collection\">here.<br \/><br \/><\/a><a href=\"http:\/\/szsolomon.com\/masschap-2010-xylophone-collection\/\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"262\" data-permalink=\"http:\/\/szsolomon.com\/?attachment_id=262\" data-orig-file=\"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/PASxylothumb-e1475295703954.gif?fit=100%2C128\" data-orig-size=\"100,128\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"PASxylothumb\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/PASxylothumb-e1475295703954.gif?fit=100%2C128\" data-large-file=\"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/PASxylothumb-e1475295703954.gif?fit=100%2C128\" src=\"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/PASxylothumb.gif?resize=150%2C192\" alt=\"PASxylothumb\" width=\"150\" height=\"192\" class=\"alignleft wp-image-262 size-full\" data-recalc-dims=\"1\" \/><\/a><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/><br \/>","protected":false},"excerpt":{"rendered":"<p>Samuel Solomon &#8211; Gliss Ditty (2010)Gliss Ditty is a xylophone etude\u00a0that was composed for The MassChap 2010 Xylophone Collection.\u00a0Complete info on the 50 etudes found in this collection can be found here.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11,17],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-ha","jetpack-related-posts":[{"id":601,"url":"http:\/\/szsolomon.com\/masschap-2010-xylophone-collection\/","url_meta":{"origin":1064,"position":0},"title":"The MassChap 2010 Xylophone Collection","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"The MassChap 2010 Xylophone CollectionPublished by\u00a0Bachovich Music Publications,\u00a02008The MassChap 2010 Xylophone Collection\u00a0was compiled in preparation for the Percussive Arts Society MassChap 2010 Day Of Percussion. It includes FIFTY new fantastic etudes for xylophone.\u00a0Thirty-two\u00a0works by competition winners join\u00a0eighteen\u00a0works by invited composers, narrowed from over fifty submissions written by percussionists and composers\u2026","rel":"","context":"In &quot;Book&quot;","block_context":{"text":"Book","link":"http:\/\/szsolomon.com\/category\/book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/11\/PASxylo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":612,"url":"http:\/\/szsolomon.com\/yesaroun-duo-heavyupheavydown\/","url_meta":{"origin":1064,"position":1},"title":"Yesaroun&#8217; Duo &#8211; HeavyUp\/HeavyDown","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":" Yesaroun' Duo\u00a0-\u00a0HeavyUp\/HeavyDownReleased on\u00a0GM Recordings,\u00a02009View the\u00a0complete\u00a0Liner\u00a0Notes.Yesaroun's first release. A two-disc collection featuring the world premiere recordings of works by Jefferson Friedman, CromTech, Tolga Yayalar, Curtis Hughes, Lei Liang, Dominique Schafer, and Robert Hasegawa, plus works by Iannis Xenakis, Karlheinz Stockhausen, John\u2026","rel":"","context":"In &quot;Recording - Yesaroun' Duo&quot;","block_context":{"text":"Recording - Yesaroun' Duo","link":"http:\/\/szsolomon.com\/category\/yesaroun\/"},"img":{"alt_text":"HUHD","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/HUHD.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":627,"url":"http:\/\/szsolomon.com\/gyorgy-ligeti-continuum\/","url_meta":{"origin":1064,"position":2},"title":"Gyorgy Ligeti &#8211; Continuum","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Gy\u00f6rgi Ligeti's \"Continuum\" - originally for harpsichord, adapted for 2 marimbas.Line C3 Percussion Group in Hanagawa Japan, May 2004.Sam Solomon and Chris Thompson of Line C3, performers.For more please visit www.linec3.comContinuum\u00a0was originally written in 1970 for harpsichord; versions for barrel organ and for two player pianos were recorded in 1997\u2026","rel":"","context":"In &quot;Recording - Line C3&quot;","block_context":{"text":"Recording - Line C3","link":"http:\/\/szsolomon.com\/category\/line-c3\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2542,"url":"http:\/\/szsolomon.com\/sam-z-solomon-you-know-2018\/","url_meta":{"origin":1064,"position":3},"title":"Sam Z. Solomon &#8212; You Know (2018)","author":"Samuel Z Solomon","date":"January 6, 2023","format":false,"excerpt":"Sam Z. Solomon -- You Know (2018)View the score You Know is a work for solo vibraphone with spoken voice, written in 2018 for Euphina Yap. The work plays with the idea of familiarity, identify, and how both can evolve with time and perspective. Ideas that may be or could\u2026","rel":"","context":"In &quot;Recording - Solo&quot;","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2539,"url":"http:\/\/szsolomon.com\/technique-packet\/","url_meta":{"origin":1064,"position":4},"title":"Technique Packet","author":"Samuel Z Solomon","date":"January 6, 2023","format":false,"excerpt":"Excercises for Developing TechniqueThis is a collection of technique exercises (often called my \"technique packet\") that I've been using with my students for years. There are exercises for snare, timpani, four mallets, and even hand drums. It's free to download and free to share.\u00a0Enjoy!","rel":"","context":"In &quot;Book&quot;","block_context":{"text":"Book","link":"http:\/\/szsolomon.com\/category\/book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2023\/01\/szstechnique-1-232x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2228,"url":"http:\/\/szsolomon.com\/hiroya-miura-blowout\/","url_meta":{"origin":1064,"position":5},"title":"Hiroya Miura &#8211; Blowout","author":"Samuel Z Solomon","date":"June 16, 2019","format":false,"excerpt":"Blowoutby Hiroya Miura John Ostrowski, Haruka Fujii, Sam Solomon, Chris ThompsonCarnegie Hall\u2019s JapanNY Festival 2011LineC3.com","rel":"","context":"In &quot;Recording - Line C3&quot;","block_context":{"text":"Recording - Line C3","link":"http:\/\/szsolomon.com\/category\/line-c3\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1064"}],"collection":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/comments?post=1064"}],"version-history":[{"count":2,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1064\/revisions"}],"predecessor-version":[{"id":1066,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1064\/revisions\/1066"}],"wp:attachment":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/media?parent=1064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/categories?post=1064"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/tags?post=1064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}