{"id":777,"date":"2014-11-11T23:45:25","date_gmt":"2014-11-12T04:45:25","guid":{"rendered":"http:\/\/szsolomon.com\/szswp\/?p=777"},"modified":"2014-11-11T23:45:25","modified_gmt":"2014-11-12T04:45:25","slug":"lei-liang-dialectal-percussions-1994","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/lei-liang-dialectal-percussions-1994\/","title":{"rendered":"Lei Liang, Dialectal Percussions (1994)"},"content":{"rendered":"<b>Lei Liang,\u00a0<i>Dialectal Percussions <\/i><\/b>(1994)<br \/><span>Dialectal Percussions (for multiple percussion) was first inspired by the dramatic expressions found in Chinese language, particularly in the Peking dialect. I am facinated with the sound of this language, for its subtle modulations in tone, pauses and transitions in rhythm, melodic undulations within each phrase and its dramatic character in expression. These aspects are incorporated into a piece in which all \u201cmusical dialects\u201d combine to symbolize a spiritual offering.<\/span><br \/><br \/><span>-Lei Liang<\/span><br \/><br \/><br \/><br \/><span>For more information, please visit\u00a0<\/span><a href=\"http:\/\/www.lei-liang.com\/\" target=\"new\">lei-liang.com<\/a><span>.<\/span>","protected":false},"excerpt":{"rendered":"<p>Lei Liang,\u00a0Dialectal Percussions (1994)Dialectal Percussions (for multiple percussion) was first inspired by the dramatic expressions found in Chinese language, particularly in the Peking dialect. I am facinated with the sound of this language, for its subtle modulations in tone, pauses and transitions in rhythm, melodic undulations within each phrase and its dramatic character in expression. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[20],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-cx","jetpack-related-posts":[{"id":612,"url":"http:\/\/szsolomon.com\/yesaroun-duo-heavyupheavydown\/","url_meta":{"origin":777,"position":0},"title":"Yesaroun&#8217; Duo &#8211; HeavyUp\/HeavyDown","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":" Yesaroun' Duo\u00a0-\u00a0HeavyUp\/HeavyDownReleased on\u00a0GM Recordings,\u00a02009View the\u00a0complete\u00a0Liner\u00a0Notes.Yesaroun's first release. A two-disc collection featuring the world premiere recordings of works by Jefferson Friedman, CromTech, Tolga Yayalar, Curtis Hughes, Lei Liang, Dominique Schafer, and Robert Hasegawa, plus works by Iannis Xenakis, Karlheinz Stockhausen, John\u2026","rel":"","context":"In &quot;Recording - Yesaroun' Duo&quot;","block_context":{"text":"Recording - Yesaroun' Duo","link":"http:\/\/szsolomon.com\/category\/yesaroun\/"},"img":{"alt_text":"HUHD","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/HUHD.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1475,"url":"http:\/\/szsolomon.com\/taylor-ambrosio-wood-runaway\/","url_meta":{"origin":777,"position":1},"title":"Ambrosio Wood &#8211; Runaway","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Runaway (2014)Taylor Ambrosio Wood (b.1994)6 minutes1 playerInstrumentation: 1 5-Octave MarimbaProgram Note: Runaway paints the scene of a person walking on train tracks, alone in a barren desert wasteland. They are now liberated, free from whatever institution had a hold over them. However, this liberation comes with a price, as now\u2026","rel":"","context":"In &quot;Keyboard Solos&quot;","block_context":{"text":"Keyboard Solos","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/keyboard-solos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":779,"url":"http:\/\/szsolomon.com\/gunther-schuller-marimbology-1993\/","url_meta":{"origin":777,"position":2},"title":"Gunther Schuller, Marimbology (1993)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"Gunther Schuller,\u00a0Marimbology\u00a0(1993)Marimbology was written in the summer of 1993 on a commission from New Music Marimba, the Percussive Arts Society, Nancy Zeltsman, William Moersch, and Robert Van Sice, with a grant from the Meet The Composer\/Reader's Digest Commissioning Program. The composer provides the following note:\"The work is in four contrasting\u2026","rel":"","context":"In &quot;Note&quot;","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":607,"url":"http:\/\/szsolomon.com\/advanced-rhythm-studies\/","url_meta":{"origin":777,"position":3},"title":"Advanced Rhythm Studies","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Advanced Rhythm StudiesPublished by\u00a0Bachovich Music Publications,\u00a02009Advanced Rhythm Studies\u00a0is a training ground for percussionists to hone their understanding and execution of poly- and syncopated rhythms. Using marching as reference, these studies develop and drill the basic vocabulary of rhythm, starting with simple and gradually building to very complex material. Although much\u2026","rel":"","context":"In &quot;Book&quot;","block_context":{"text":"Book","link":"http:\/\/szsolomon.com\/category\/book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2014\/10\/rhythmstud-234x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":570,"url":"http:\/\/szsolomon.com\/write-percussion\/","url_meta":{"origin":777,"position":4},"title":"How To Write For Percussion","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"How To Write For Percussion Published by the author, 2004 Second edition, Oxford University Press, 2016 PURCHASE\u00a0from\u00a0OUP\u00a0or\u00a0Amazon. How To Write For Percussion\u00a0is lauded\u2026","rel":"","context":"In &quot;Book&quot;","block_context":{"text":"Book","link":"http:\/\/szsolomon.com\/category\/book\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/szsolomon.com\/szswp\/wp-content\/uploads\/2016\/03\/cover2ndEd-210x300.gif?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/777"}],"collection":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/comments?post=777"}],"version-history":[{"count":1,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/777\/revisions"}],"predecessor-version":[{"id":778,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/777\/revisions\/778"}],"wp:attachment":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/media?parent=777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/categories?post=777"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/tags?post=777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}