{"id":605,"date":"2014-11-09T19:35:29","date_gmt":"2014-11-10T00:35:29","guid":{"rendered":"http:\/\/szsolomon.com\/szswp\/?p=605"},"modified":"2023-01-06T13:27:20","modified_gmt":"2023-01-06T18:27:20","slug":"variations-first-three-pages-george-lawrence-stones-stick-control","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/variations-first-three-pages-george-lawrence-stones-stick-control\/","title":{"rendered":"Variations on the First Three Pages of George Lawrence Stone’s Stick Control"},"content":{"rendered":"\r\n
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\"stickcontrol\"<\/a><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n

Variations on the First Three Pages of <\/strong><\/a><\/span>
George Lawrence Stone’s Stick Control<\/strong>
<\/a><\/span>Published by\u00a0Bachovich Music Publications,<\/a>\u00a02009<\/p>\r\n\r\n\r\n\r\n

Variations on the First Three Pages of Stone’s Stick Control<\/em>\u00a0takes the patterns of Stone’s iconic book as a jumping off point for countless new and customized exercises. These variations provide a platform for any kind of snare drum exercise you can dream up. Use it to develop accents, ornaments, dynamics, rolls, doubles, Moeller technique, speed, endurance, and, of course, control. The simple yet extensive format offers endless opportunities for technical improvement. Slip\u00a0Variations on Stick Control<\/em>\u00a0in between the pages of your copy of Stone’s book, and use it as an addendum to its first three pages.<\/p>\r\n\r\n\r\n\r\n

Purchase from\u00a0Steve Weiss<\/a><\/p>\r\n\r\n\r\n\r\n

Purchase from Bachovich<\/a><\/p>\r\n","protected":false},"excerpt":{"rendered":"

Variations on the First Three Pages of George Lawrence Stone’s Stick ControlPublished by\u00a0Bachovich Music Publications,\u00a02009 Variations on the First Three Pages of Stone’s Stick Control\u00a0takes the patterns of Stone’s iconic book as a jumping off point for countless new and customized exercises. These variations provide a platform for any kind of snare drum exercise you […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-9L","jetpack-related-posts":[{"id":1469,"url":"http:\/\/szsolomon.com\/keiko-abe-works-marimba\/","url_meta":{"origin":605,"position":0},"title":"Abe – Works for Marimba","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Keiko Abe is undoubtedly the most influential marimbist and composer for the marimba that the percussion world has seen. She has combined five of her very popular pieces into this book. Keiko Abe\u2019s compositions are always virtuosic, requiring fast playing, quick dynamic control, and much musicality. Though performed somewhat less\u2026","rel":"","context":"In "Keyboard Solos"","block_context":{"text":"Keyboard Solos","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/keyboard-solos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":578,"url":"http:\/\/szsolomon.com\/john-cage-27-10-554-percussionist-1956\/","url_meta":{"origin":605,"position":1},"title":"John Cage – 27′ 10.554″ for a percussionist (1956)","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"John Cage - 27' 10.554\" for a percussionist (1956)For multipercussion and electronicsLive performance, Juilliard School, April 2003Video is in three parts. Listen one at a time, or all at the same time! John Cage \u2013\u00a027' 10.554\" for a percussionist\u00a0(1956)27' 10.554\" for a percussionist\u00a0is the last piece of a collection of\u2026","rel":"","context":"In "Recording - Solo"","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":775,"url":"http:\/\/szsolomon.com\/morton-feldman-king-denmark-1964\/","url_meta":{"origin":605,"position":2},"title":"Morton Feldman, King of Denmark (1964)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"Morton Feldman,\u00a0King of Denmark\u00a0(1964)King of Denmark is a very short work for Feldman, lasting only six minutes. This study in instrumental color is notated graphically where a three part grid, indicating high, medium and low pitches, is peppered with numbers, letters and symbols representing instruments and articulations. 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In (---)-I-Am, a perpetual motion figure in the vibraphone is redistributed among the other\u2026","rel":"","context":"In "Recording - Solo"","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1445,"url":"http:\/\/szsolomon.com\/keiko-abe-itsuki-fantasy-for-six-mallets\/","url_meta":{"origin":605,"position":5},"title":"Abe – Itsuki Fantasy for Six Mallets","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"This piece is one of the rare marimba solos requiring the performer to hold three mallets in each hand. Though otherwise simple, this novel technique adds a new degree of difficulty to the piece. 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