{"id":2545,"date":"2023-01-06T22:18:13","date_gmt":"2023-01-07T03:18:13","guid":{"rendered":"http:\/\/szsolomon.com\/?p=2545"},"modified":"2023-01-06T22:18:13","modified_gmt":"2023-01-07T03:18:13","slug":"juri-seo-v-2015","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/juri-seo-v-2015\/","title":{"rendered":"Juri Seo &#8211; v (2015)"},"content":{"rendered":"<strong><a href=\"https:\/\/www.juriseomusic.com\" target=\"_blank\" rel=\"noopener\">Juri Seo<\/a> &#8211; v<\/strong> (2015)<br \/>    \u00a0I Prologue<br \/>    \u00a0II Duple Dance<br \/>    \u00a0III Abwesenheit<br \/>    \u00a0IV Petite Play<br \/>    \u00a0V Da Capo al Coda Dodecafonia<br \/><br \/>\r\n\r\n\r\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3aJLH9zy8D0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/><br \/><br \/>The composer writes:<br \/><span>V is part of an ongoing series for vibraphone + x (in this case, x = 0). vi for piano and vibraphone, vii for harp and vibraphone, and vv for two vibraphones accompany this work in spirit. I am particularly interested in the instrument\u2019s long resonance that\u2014with some struggle and inconvenience\u2014can be manipulated to produce a composed decay. All five movements of v start with the same chord, but each has distinctive characteristics. The first movement\u2019s bipolar temperament is a reminiscence of Robert Schumann\u2019s frequent digressions in his piano works. The second is a cute dance movement in binary form. The third is inspired by the second movement of Beethoven\u2019s op. 81a, with its poignant expressions of loss and longing (for his patron Archduke Rudolf, not his lover). The fourth is a \u201cpetite\u201d play between \u201cwhite\u201d and \u201cblack\u201d keys. The last movement is a dodecaphonic tempo canon with some distorted flashbacks of preceding movements. V was written in August 2015 for Matthew Geiger.<\/span>","protected":false},"excerpt":{"rendered":"<p>Juri Seo &#8211; v (2015) \u00a0I Prologue \u00a0II Duple Dance \u00a0III Abwesenheit \u00a0IV Petite Play \u00a0V Da Capo al Coda Dodecafonia The composer writes:V is part of an ongoing series for vibraphone + x (in this case, x = 0). vi for piano and vibraphone, vii for harp and vibraphone, and vv for two vibraphones [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11,17],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-F3","jetpack-related-posts":[{"id":588,"url":"http:\/\/szsolomon.com\/donald-martino-soliloquy-2004\/","url_meta":{"origin":2545,"position":0},"title":"Donald Martino &#8211; Soliloquy (2004)","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Donald Martino -\u00a0Soliloquy\u00a0(2004)Live performance, Boston University, April 2011Donald Martino is well known as a 12-tone composer, but he also had firm footing in the world of Jazz, as is evidenced by many Jazz-influenced compositions throughout his career.\u00a0Soliloquy\u00a0for solo vibraphone is one such piece, although here the Jazz is significantly clouded\u2026","rel":"","context":"In &quot;Recording - Solo&quot;","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":619,"url":"http:\/\/szsolomon.com\/ryan-streber-cold-pastoral\/","url_meta":{"origin":2545,"position":1},"title":"Ryan Streber &#8211; Cold Pastoral","author":"Samuel Z Solomon","date":"November 9, 2014","format":false,"excerpt":"Ryan Streber - Cold Pastoral (2004)\u00a0Commissioned and premiered by Line C3\u00a0on May 8, 2004 at Sun Azalea Hall in Tokyo, Japan.Cold Pastoral\u00a0was composed in the winter and spring of 2004 for Line C3 and is scored for crotales, vibraphone, and a small battery of un-pitched instruments. The quartet is split\u2026","rel":"","context":"In &quot;Recording - Line C3&quot;","block_context":{"text":"Recording - Line C3","link":"http:\/\/szsolomon.com\/category\/line-c3\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2552,"url":"http:\/\/szsolomon.com\/toru-takemitsu-cross-hatch-1982\/","url_meta":{"origin":2545,"position":2},"title":"Toru Takemitsu &#8211; Cross Hatch (1982)","author":"Samuel Z Solomon","date":"January 7, 2023","format":false,"excerpt":"Toru Takemitsu - Cross Hatch (1982) Performed by Haruka Fujii and Sam Solomon in March of 2020.Cross Hatch was commissioned by and dedicated to Hiroyuki Iwaki.\u00a0 The duet for marimba and vibraphone is the essence of Takemitsu, packing all the beauty and expression of his larger works into the span\u2026","rel":"","context":"In &quot;Recording - Line C3&quot;","block_context":{"text":"Recording - Line C3","link":"http:\/\/szsolomon.com\/category\/line-c3\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2114,"url":"http:\/\/szsolomon.com\/david-t-little-three-sams-2006-7\/","url_meta":{"origin":2545,"position":3},"title":"David T. Little &#8211; Three Sams (2006-7)","author":"Samuel Z Solomon","date":"April 21, 2017","format":false,"excerpt":"David T. Little\u00a0- Three Sams\u00a0(2006-7)\u00a0 I. (---)-I-Am\u00a0 II. Son of (---)\u00a0 III. Wicked Uncle (---)Written for Setup #1 More about David at\u00a0davidtlittle.comMore about the piece here.The composer writes:Each of the Three Sams explores a different challenge. In (---)-I-Am, a perpetual motion figure in the vibraphone is redistributed among the other\u2026","rel":"","context":"In &quot;Recording - Solo&quot;","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2542,"url":"http:\/\/szsolomon.com\/sam-z-solomon-you-know-2018\/","url_meta":{"origin":2545,"position":4},"title":"Sam Z. Solomon &#8212; You Know (2018)","author":"Samuel Z Solomon","date":"January 6, 2023","format":false,"excerpt":"Sam Z. Solomon -- You Know (2018)View the score You Know is a work for solo vibraphone with spoken voice, written in 2018 for Euphina Yap. The work plays with the idea of familiarity, identify, and how both can evolve with time and perspective. Ideas that may be or could\u2026","rel":"","context":"In &quot;Recording - Solo&quot;","block_context":{"text":"Recording - Solo","link":"http:\/\/szsolomon.com\/category\/solo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1485,"url":"http:\/\/szsolomon.com\/louis-andriessen-klokken-voor-haarlem\/","url_meta":{"origin":2545,"position":5},"title":"Andriessen &#8211; Klokken voor Haarlem","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Klokken voor Haarlem (4 Players)By Louis Andriessen4 Players: Piano, Celesta, Synth, Vibes\/BellsKlokken voor Haarlem is a quartet that uses wide, unison chords to emulate the sound of bells.\u00a0\u00a0 Scored for Piano, Synthesizer, Celesta, and Vibraphone\/Bells player, this piece challenges the small ensemble to make perfect entrances amidst long pauses across\u2026","rel":"","context":"In &quot;Chamber Music&quot;","block_context":{"text":"Chamber Music","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/chamber-music\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/2545"}],"collection":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/comments?post=2545"}],"version-history":[{"count":1,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/2545\/revisions"}],"predecessor-version":[{"id":2546,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/2545\/revisions\/2546"}],"wp:attachment":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/media?parent=2545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/categories?post=2545"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/tags?post=2545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}