{"id":1451,"date":"2016-01-07T08:17:38","date_gmt":"2016-01-07T13:17:38","guid":{"rendered":"http:\/\/szsolomon.com\/?p=1451"},"modified":"2018-11-15T12:08:56","modified_gmt":"2018-11-15T17:08:56","slug":"keiko-abe-marimba-damore","status":"publish","type":"post","link":"http:\/\/szsolomon.com\/keiko-abe-marimba-damore\/","title":{"rendered":"Abe – Marimba d\u2019Amore"},"content":{"rendered":"

This marimba solo is a very challenging one, both technically and musically. As can be inferred from the title, the piece is composed on the subject of love and its many incarnations. Containing the love song \u201cPlaisir d\u2019Amour\u201d by Jean Paul Martini, \u00a0the piece shows the many rewards and challenges present in any kind of love with both lyrical sections and more stereotypically intense \u201cAbe\u201d sections. This is one of the most fully realized and well rounded pieces Keiko Abe has composed. Unlike some of her other compositions, this one may not be good for younger players.<\/p>

Annotated by Ethan Pani<\/p>","protected":false},"excerpt":{"rendered":"

This marimba solo is a very challenging one, both technically and musically. As can be inferred from the title, the piece is composed on the subject of love and its many incarnations. Containing the love song \u201cPlaisir d\u2019Amour\u201d by Jean Paul Martini, \u00a0the piece shows the many rewards and challenges present in any kind of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[37,30,31],"tags":[75],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5qnlH-np","jetpack-related-posts":[{"id":1438,"url":"http:\/\/szsolomon.com\/keiko-abe-dream-of-the-cherry-blossoms\/","url_meta":{"origin":1451,"position":0},"title":"Abe – Dream of the Cherry Blossoms","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"This piece, for solo marimba, is one of Keiko Abe's most famous compositions. Central to the piece is the traditional Japanese song \"Sakura.\"","rel":"","context":"In "Keyboard Solos"","block_context":{"text":"Keyboard Solos","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/keyboard-solos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1469,"url":"http:\/\/szsolomon.com\/keiko-abe-works-marimba\/","url_meta":{"origin":1451,"position":1},"title":"Abe – Works for Marimba","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Keiko Abe is undoubtedly the most influential marimbist and composer for the marimba that the percussion world has seen. She has combined five of her very popular pieces into this book. Keiko Abe\u2019s compositions are always virtuosic, requiring fast playing, quick dynamic control, and much musicality. Though performed somewhat less\u2026","rel":"","context":"In "Keyboard Solos"","block_context":{"text":"Keyboard Solos","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/keyboard-solos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1443,"url":"http:\/\/szsolomon.com\/keiko-abe-frogs\/","url_meta":{"origin":1451,"position":2},"title":"Abe – Frogs","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"This marimba solo is easily Keiko Abe\u2019s most humorous work. Marked constantly moving thirds, the music seems to always be dancing or hopping, just as the frogs in its title. Though by no means easy or simple, it is one of Abe\u2019s most accessible pieces. \u201cFrogs\u201d is mostly in 4\/4\u2026","rel":"","context":"In "Keyboard Solos"","block_context":{"text":"Keyboard Solos","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/keyboard-solos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1467,"url":"http:\/\/szsolomon.com\/keiko-abe-michi\/","url_meta":{"origin":1451,"position":3},"title":"Abe – Michi","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"Michi, which means \u201croad\u201d in Japanese, is a marimba solo by Keiko Abe. Featuring an almost non-stop stream of 32nd notes, this piece can be very intimidating to read. However, it is very idiomatic and often repetitive. It begins and ends with an optional improvisatory section. If the player does\u2026","rel":"","context":"In "Keyboard Solos"","block_context":{"text":"Keyboard Solos","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/keyboard-solos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1445,"url":"http:\/\/szsolomon.com\/keiko-abe-itsuki-fantasy-for-six-mallets\/","url_meta":{"origin":1451,"position":4},"title":"Abe – Itsuki Fantasy for Six Mallets","author":"Samuel Z Solomon bts","date":"January 7, 2016","format":false,"excerpt":"This piece is one of the rare marimba solos requiring the performer to hold three mallets in each hand. Though otherwise simple, this novel technique adds a new degree of difficulty to the piece. Some of the challenges the player will encounter are playing a melodic with three voice accompany,\u2026","rel":"","context":"In "Keyboard Solos"","block_context":{"text":"Keyboard Solos","link":"http:\/\/szsolomon.com\/category\/percussion-database\/repertoire-lists\/keyboard-solos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":779,"url":"http:\/\/szsolomon.com\/gunther-schuller-marimbology-1993\/","url_meta":{"origin":1451,"position":5},"title":"Gunther Schuller, Marimbology (1993)","author":"Samuel Z Solomon","date":"November 11, 2014","format":false,"excerpt":"Gunther Schuller,\u00a0Marimbology\u00a0(1993)Marimbology was written in the summer of 1993 on a commission from New Music Marimba, the Percussive Arts Society, Nancy Zeltsman, William Moersch, and Robert Van Sice, with a grant from the Meet The Composer\/Reader's Digest Commissioning Program. The composer provides the following note:\"The work is in four contrasting\u2026","rel":"","context":"In "Note"","block_context":{"text":"Note","link":"http:\/\/szsolomon.com\/category\/note\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1451"}],"collection":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/comments?post=1451"}],"version-history":[{"count":3,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1451\/revisions"}],"predecessor-version":[{"id":1973,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/posts\/1451\/revisions\/1973"}],"wp:attachment":[{"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/media?parent=1451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/categories?post=1451"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/szsolomon.com\/wp-json\/wp\/v2\/tags?post=1451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}